smithsonian center for folklife and cultural heritage address
Research specialties: Indigenous, intercultural, and community media; digital media and performance;Afro-Brazilian expressive culture. To facilitate this, Ripley appointed James R. Morris as the Smithsonian's first Director of Museum Services. Despite this, in 2014 Putin pursued his territorial ambitions by supporting ethnic Russian separatists in the Donbas region and forcibly taking Ukraines Crimean Peninsula. Eliot Elisofon Photographic Archives, African Art, Center for Folklife and Cultural Heritage. Contact:Leopold@si.edu. This collaborative project between the people of Armenia, the Smithsonian and USAID aims to deepen understanding of the countrys living traditions and heritage sites. Ukrainians were strong and united in their fight on the battlefield and on the home front to defend their freedom to be Ukrainian, she said, and she thanked the U.S. and allies for helping them in that worthy battle on behalf of all freedom-loving people the world over. Research specialties: Cultural anthropology, cultural heritage presentation and representation, cultural performance and social activism, museum programming and public engagement. Smithsonian Center for Folklife & Cultural Heritage Blog | Smithsonian Magazine Smithsonian Voices From the Smithsonian Museums Introducing Graphic Artist Jean Young's Powerful New. Research specialties: Latin American and Latino studies, American cultural history, material culture, folklife. The images in the exhibition spotlight noteworthy individuals and uplift objects from the museums collection, many on display for the first time. In May 2022, Ukrainian Ministry of Culture and Information Policy officials received reports of an attack on the Hryhorii Skovoroda Literary Memorial Museum, dedicated to an 18th-century Ukrainian poet, philosopher and composer and located in the tiny village of Skovorodynivka, near Kharkiv and the Russian border. Svitlana Stryelnikova, director general of the National Research Restoration Center of Ukraine, and her staff of expert conservators at the headquarters in Kyiv and branch facilities in Kharkiv, Odesa and Lviv were charged with caring for Ukrainian national collections. In addition to daily performances and activities on the National Mall, the Smithsonian Folklife Festival recommends events and exhibitions relating to our programs at other Smithsonian museums and venues around Washington, D.C. All events are free unless otherwise noted. Dalai Lama at Smithsonian Folklife Festival, 2000. (1967) Harvard University; M.A. In addition to daily performances and activities on the National Mall, the Smithsonian Folklife Festival recommends events and exhibitions relating to our programs at other Smithsonian museums and venues around Washington, D.C. All events are free unless otherwise noted. But the centers few vehicles were needed for civil defense purposes and thus unavailable. (2011) Leiden; M.Phil. An aerial shot of the 1999 Smithsonian Folklife Festival, showing the site of the South Africa program. The greatest number of cases are associated with regions of the most aggressive Russian attacks: Kyiv, Kharkiv, Mariupol and Luhansk. It had a seven million-dollar budget, lasted twelve weeks and involved five thousand artists from every region in the United States and from 35 other nations. Educational projects including items like teachers guides, guides to oral history, and lesson plans for learning about particular traditions are distributed online and in hard copy. (2004) Barnard College, Columbia University; M.A. Through audio recordings and educational materials Smithsonian Folkways strengthens people's engagement with their own cultural heritage and enhances their awareness and appreciation of the cultural heritage of others. (1979) State University of New York, Stony Brook; Ph.D. (1997) Union Institute. (1973) Scripps College, M.A. Building on the awareness raised since the beginning of the century by a suite of UNESCO Declarations and Conventions, the centers Cultural Sustainability Research Group is at the forefront of a shift from reified and ossified discourses of preservation to more dynamic and ecological models of sustainability. [note 2] As such, Smithsonian Folkways has become an important collection to the musical community to access and research these recordings from all over the world. (1971) University of California, Santa Barbara; M.Litt (1975) University of Edinburgh; M.S.L.S. The centers collections are global in perspective, covering world ethnic performance traditions, spoken-word recordings, sounds of science and nature, occupational folklore and family folklore. Painters Rolando Mayen and Paula Kaufman in the Office of Exhibits Central's Graphics Department created these authentic commercial signs for the music tent in the Borderlands' program at the 1993 Festival of American Folklife. Music HerStory: Women and Music of Social Change The lab has also used satellite monitoring to document looting. Rinzler worked at the center until his death in 1994. Following World War II, the nations of the world contemplated the armed conquest of neighbors, the Holocaust, genocide and mass execution, the restrictions of thought, movement, belief and association inflicted by the Nazi regime. The Smithsonian accessed funding provided by its federal appropriations and tapped stalwart donorsBank of America and the Mellon Foundation to support packing and protection efforts and the acceleration of its satellite monitoring work. The Center builds cultural understanding, strengthens communities, and reinforces our shared humanity through the Smithsonian Folklife Festival, Smithsonian Folkways Recordings, Cultural Sustainability initiatives, research and educational programs and the Ralph Rinzler Folklife Archives and Collections. Afrofuturism: A History of Black Futures Contact:ClarkLE@si.edu, Crdova, Amalia,Latino Digital Curator of New and Emerging Media. Mailing Address: Center for Folklife and Cultural Heritage Smithsonian Institution P.O. (2004) Barnard College, Columbia University; M.A. B.A. Working in collaboration with the Smithsonian initiative "Recovering Voices"., this interdisciplinary research program explores relationships between language revitalization, cultural heritage, and traditional cultural transmission. Rather, they suggest a targeted attack on Ukrainian history, culture and identity, a means toward Putins endsthe destruction is a deliberate attempt to obliterate Ukrainian history and culture. Spotlighting these questions also brings into sharp relief the shadow side of minority language communities, which are characteristically marked by poverty, isolation, segregation, travel restrictions, and censorship.[13]. How can we ensure that ancient manuscripts best survive freezing temperatures, given the lack of heat in winter? These are some of the issues investigated in this research area, which focuses specifically on the indigenous or minoritized languages of Europe. Email powered by MailChimp (Privacy Policy, Terms of Use), Kronos Quartet, Rinde Eckert, Vn-nh Vanessa V. (1988) Brown University; M.A. To date, the label has won six Grammy Awards, one Latin Grammy, 10 Grammy Lifetime Achievement Awards and 30 Independent Music Awards. Ph.D. (1979) University of California, Los Angeles. (2007), Ph.D. (2015) New York University. Texas: A Celebration of Music, Food, and Wine, Roots of Virginia Culture: The Past is Present, Carriers of Culture: Living Native Basket Traditions, Nuestra Msica: Music in Latino Culture (2005), Haiti: Freedom and Creativity from the Mountains to the Sea, Nuestra Msica: Music in Latino Culture (2004), South Africa: Crafting the Economic Renaissance of the Rainbow Nation, The Baltic Nations: Estonia, Latvia, and Lithuania, Heartbeat: The Voices of First Nations Women, Russian Roots, American Branches: Music in Two Worlds, The Czech Republic: Tradition and Transformation, Culture and Development in Latin America and the Caribbean, Masters of Traditional Arts: The National Endowment for the Arts National Heritage Fellows, Creativity and Resistance: Maroon Culture in the Americas, The Changing Soundscape in Indian Country, Forest, Field and Sea: Folklife in Indonesia, Roots of Rhythm and Blues: The Robert Johnson Era, Les Ftes Chez Nous: France and North America, The Caribbean: Cultural Encounters in the New World, Ingenuity and Tradition: The Common Wealth of Massachusetts, Migration to Metropolitan Washington: Making a New Place Home, Music from the Peoples of the Soviet Union, Cultural Conservation and Languages: America's Many Voices, Cultural Conservation: Traditional Crafts in a Post-Industrial Age, Black Urban Expressive Culture from Philadelphia, National Heritage Fellowships Program (1983), National Heritage Fellowships Program (1982), Music and Crafts of the Southeastern United States, Community Activities and Food Preservation, Folklife in the Museum: A Nation of Nations (1978), Folklife in the Museum: Renwick Gallery (1978), Folklife in the Museum: A Nation of Nations (1977), Folklife in the Museum: Hall of Musical Instruments, Folklife in the Museum: Renwick Gallery (1977). Included in the more than 3,000 albums are the recordings of Woody Guthrie, Lead Belly, Pete Seeger, Bill Monroe, Doc Watson, Ella Jenkins, Bernice Johnson Reagon and thousands of others; civil rights movement songs and speeches; the poetry of Langston Hughes; historical Native American traditions; varied regional and immigrant songs; and music and spoken word traditions from across the globe. Advisory Council Member at Smithsonian Center for Folklife and Cultural Heritage Building Arts and Traditional Architecture. (1981), Ph.D. (1995) University of Pennsylvania. Search millions of objects in the collections including photographs, artworks, artifacts, scientific specimens, manuscripts, sound records, and transcripts. In their "Artisan Initiative"., CFCH is dedicated to building the sustainability of craft traditions of individuals and groups. Last year, with the Russian invasion of Ukraine on February 24, the lab ramped up its efforts employing still more satellites, including some with specialized sensors that can detect heat signatures to record kinetic activity. (2001) Youngstown State University; M.A. In a September 2022 presentation in New Yorks Ukrainian Museum during United Nations General Assembly week, Ukraines first lady Olena Zelenska and Ukrainian Ambassador to the U.S. Oksana Markarova clearly articulated this point. The archive continues to grow in tandem with both the annual Folklife Festival, and the Folkways record label; it serves as the documentation and research foundation for the activities of these other two units of the CFCH. Russia and its supporters were strategically marking the territory as Russian to solidify Moscows claimsand seemingly as a prelude to more aggressive moves. library.si.edu. (1964), Ph.D. (1973) University of Pennsylvania. We work with communities in the United States and around the world to encourage the understanding, appreciation, and vitality of humanity's diverse living cultural heritage. View ratings, addresses and opening hours of best restaurants. Stryelnikova needed passenger vans to carry teams of up to 16 conservators daily along with equipment and supplies around the country to service stored but still endangered collections. In 2021, Wegener, in partnership with the Virginia Museum of Natural History, established the Cultural Heritage Monitoring Lab to examine the status of cultural sites in crisis zones based on methods developed for Syria and Iraq during the period of ISIS terrorism. Research specialties: Language documentation and description, language revitalization, youth motivation in language vitality, language and cultural diversity especially in Oklahoma and American Southeast, community-based endangered languages archives, language policy. Eliot Elisofon Photographic Archives, African Art. Dr. Richard Kurin, the Smithsonians Distinguished Scholar and Ambassador at Large, has served as the institution's Under Secretary and as director of the Center for Folklife and Cultural Heritage, among other leadership roles over his four decade-long Smithsonian career. The Ralph Rinzler Folklife Archives and Collections is a public resource home to hundreds of thousands of videos, films, photographs, sound recordings, and field reports that document cultural traditions, maintained with an increasing commitment to digital accessibility and shared stewardship. Non-profit organizations based in Washington, D.C. Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License 3.0, Morris, James R. Smithsonian Impresario: A Memoir by James Morris (2011). (2011) New York University. B.A. In concatenated form, it documents the shift from folklore to cultural heritage that has taken place in academics and in fieldwork within the last 15 years. Originally part of the Smithsonians Division of Performing Arts, a separate Office of Folklife Programs was created in 1980. Spirit in the Dark: Religion in Black Music, Activism and Popular Culture These . Intern at Smithsonian Center for Folklife and Cultural Heritage Portland, Oregon, United States . Ripley, S. Dillon. Research Associate. Research specialties: Asian American history and culture, Los Angeles history and culture, urban history, public history, vernacular landscape. But the ambassador was unambiguous in her confidence that the Russians would not succeed. Contact Robert N. directly . (1976) Simmons College; M.A. This linguistic shift can be documented more precisely in the language of the UNESCO treaties. The Washington Monument can be seen in the distance. Various alternatives failed, but thanks to contacts through the U.S. State Department, the Smithsonian enlisted Uber, which had been providing free transport for refugees fleeing Ukraine and even for relocating them in neighboring countries. The CFCH contains (numerically) the largest collection in the Smithsonian, but is not fully open to the public. It is open to guest researchers and other visitors by appointment. Our curators and scholars, drawn from folklore, anthropology, ethnomusicology, and a broad range of cultural studies, are distinguished in their practice of collaborative research and representation. Seeger, Anthony, Smithsonian Folkways Recordings Curator and Director Emeritus. (1993), A.B.D. Their goal is to explore means and indicators for assessing the impacts of culture on sustainable development, to develop best practices for bringing culture into political and social policy, and to share their findings with individuals, communities and policymakers around the world. And the work of organizations, including the Smithsonian, mobilized thanks to years of cultural heritage training efforts, is aiding the country in its effort to protect artifacts, books, documents and artworks from these insidious attacks. Satellite photography of the museum on February 14, 2022, prior to the invasion, shows the museum roof and surrounding area covered by snow. They focus on American, and more specifically Euro-American, African American, Caribbean and Native American musical and performance traditions. This is the moment when the CFCH took notice. How can the Smithsonian help pack and move some 300,000 preserved plant specimensand quickly? (1973) New York University; M.A. Curator. B.A. (1988) Brown University; M.A. Research Associate. Visit the IIIF page to learn more. Investigating Afrofuturist expression through art, music, activism and more, this exhibition explores and reveals Afrofuturisms historic and poignant engagement with African American history and popular culture. Using satellite imagery, the labs team examined the cultural damage caused by another Haitian earthquake, Taliban attacks on cultural sites in Afghanistan and the treatment of cultural resources in areas contested by Armenian and Azerbaijani forces. [note 3]. (1979) State University of New York, Stony Brook; Ph.D. (1997) Union Institute. At the 1985 Festival of American Folklife, the Hayride String Band performs. The inventory now includes more than 28,000 sites. In 1964 the new Smithsonian secretary, S. Dillon Ripley, arrived in Washington with an innovative museum concept: he challenged curators to "take the objects out of their cases and make them sing". At the outset of the Russian invasion, Ukrainian cultural officials and leaders responded quickly to protect facilities and collections from the shelling and bombing. Visitors at the 2002 Smithsonian Folklife Festival. (1983), Ph.D. (1991) Indiana University. Visitors enjoy the 2004 Smithsonian Folklife Festival on the National Mall. Where possible, theyve treated artworks and artifacts, and repaired damage. Julia Lopez, a needle craft artist from California, demonstrates Mexican stitchery at the 1978 Festival of American Folklife. Ralph Rinzler listens through headphones during the 1988 recording session for the album "Folkways: A Vision Shared." B.A. Contact:SeitelP@si.edu, Smith, Stephanie, Research Associate. [note 1] Its budget comes primarily from grants, trust monies, federal government appropriations, and gifts, with a small percentage coming from the main Smithsonian budget.[2]. This includes not only the artifacts which are born-digital but also older analog forms which require reformatting for the digital world.[10]. (1964), Ph.D. (1973) University of Pennsylvania. (1974), Ph.D. (1981) University of Chicago. Research specialties: Occupational folklife, African folklife, epic, narrative, proverbs, computer applications in folklore, intangible cultural heritage policy. The Center for Folklife and Cultural Heritage promotes greater understanding and sustainability of cultural heritage across the United States and around the world through research, education, and community engagement. B.A. To this day, the festival features performers, crafts people, and community groups from the United States and foreign countries. When we think about war, what comes to mind is that quest for power and territory, the violent use of destructive armaments and the horrific costs incurred in human lives lost and shattered. Research specialties: Caribbean/Latin American studies, Latino music, cultural representation. In the practical implementation of cultural sustainability, CFCH also manages three different projects where the theoretical finding of this research can be put to test in the field. (1980), Ph.D. (1990) Indiana University. The Center for Folklife and Cultural Heritage promotes greater understanding and sustainability of cultural heritage across the United States and around the world through research, education, and community engagement. Terms of Use The Center conducts ethnographic and cultural heritage policy oriented research, maintains the Ralph Rinzler Folklife Archives and Collections, and provides educational and research opportunities through fellowships, internships, and training programs. [6] This was non-standard for the Smithsonian, and guaranteed to provoke curators accustomed to operating in orderly museum buildings.[7]. project is a collaboration between the people of Armenia, the Smithsonian, and USAID. Research specialties: Native American and Pacific Rim material culture, contemporary Native American art, museum practice. (1996) University of Kansas; Ph.D. (2001) University of Kansas. Folklife Magazine explores how culture shapes our lives. M.A., Ohio State University. They followed the recommendations of an international committee chaired by Americas former first lady Eleanor Roosevelt in accepting the principles set forth in the historical milestone known as the Universal Declaration of Human Rights, which includes cultural rights and freedoms. Research Associate. Collaborative Cultural Research and Public-Sector Folklore Presentation: An Ethnographic Study of the African Immigrant Folklife Study Project Awards And Honors Fellow, conferred by American Folklore Society, 2017 Affiliation Member Of Center for Folklife and Cultural Heritage Contact Contact:ButvinHM@si.edu, Clark, Logan,Executive Assistant, Smithsonian Folkways. The festival was started by folklorist Ralph C. Rinzler (1934-1994). An image dated two weeks later, on February 27, depicts the museum roofless with major damage, while other nearby buildings remained undamagedan indication that the museum was specifically targeted. B.A. (1979) Emory University; Ph.D. (1991) George Washington University. [12] By acknowledging culture to be independent and separate from the social development of individuals, it recognizes the power and role of cultural structures and forms to give shape and meaning to a social group. Research specialties: Cultural anthropology, cultural heritage presentation and representation, cultural performance and social activism, museum programming and public engagement. The Smithsonian in Games and Other Formats, National Museum of African American History and Culture, National Air and Space Museum and Udvar-Hazy Center, Smithsonian American Art Museum and Renwick Gallery, Center for Folklife and Cultural Heritage, Smithsonian Environmental Research Center, Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution Building, the Castle, Ralph Rinzler Folklife Archives and Collections, Center for Folklife and Cultural Heritage Website, Additional Historic Images of the Center for Folklife and Cultural Heritage from the Smithsonian Institution Archives, Sign up for email updates on our amazing collection. A variety of research projects undertaken by the Center and its staff document cultural traditions and address issues of heritage policy and professional representation practices that result in books, chapters, journal articles and other products. Rinzler continued in the Festival organization, originally as part of the Smithsonian's Division of Performing Arts until a separate Office of Folklife Programs was created in 1980. Seitel, Peter, Senior Folklorist Emeritus. (2009) University of Hawaii at Mnoa/East West Center; M.A. It has become a national and international model of a research-based presentation of intangible cultural heritage. Cloud cover over the region for days prevented good imagery. Contact:Marjorie@si.edu, Kim, Sojin, Curator. Over the past decades, the Festival has brought more than 23,000 musicians, artists, performers, craftspeople, workers, cooks, and storytellers from more than 90 nations and the United States to demonstrate their skills, artistry, knowledge, and wisdom. Research specialties: Ethnomusicology, audiovisual archives, music industry, social organization, cosmology, ritual, oral narrative, South American Indians, Brazil. SMITHSONIAN CENTER FOR FOLKLIFE & CULTURAL HERITAGE. B.A. Since 2003, he has helped plan and develop public programs on California, China, Hungary, Peace Corps, Apollo Theater, Circus Arts, National Aeronautics and Space Administration, Mekong River, U.S. Forest Service, World War II . Contact:Cordovaa@si.edu, Deutsch, James I., Curator. Using that data, the labs analysts are able to see how closely the heat signatures align with cultural sites. Many Ukrainian museums hastily evacuated their collections to other locations, sometimes to basements, underground storage facilities or safe sites removed from major Russian attack zones. Research specialties: Language documentation and description, language revitalization, youth motivation in language vitality, language and cultural diversity especially in Oklahoma and American Southeast, community-based endangered languages archives, language policy. (1970) Williams College; M.A. Telephone: 202.633.6440 Fax: 202.633.6474 Email . The charge for this inquiry was set forth in 1992 with passage of the European Charter for Regional or Minority Languages, which mandates protection and promotion of historical regional and minority languages in Europe. (2012) Leiden. How to Move 4,400 Boxes of Irreplaceable Stuffand Then Move (Almost) Everything Back, Center Initiates New Partnership to Promote Women Artisans in Central Asia, Virtual Craft Exchange Program Develops into In-Person Classes in Kazakhstan, Language Vitality Initiative Releases Case Studies on Minoritized Language Use in Europe. C. Latino Digital Curator of New and Emerging Media. Russias war against Ukraine and its people is a clear and terrible affront to humanity and a violation of fundamental rights recognized in those accords. The Chinese Poetry Left at Angel Island, the "Ellis Island of the West" Angel Island Immigration Station was built in 1910 in the San . The minister asked the Smithsonian if we could determine its status from satellite imagery. (1977) University of North Carolina; Ph.D. (1988) University of Edinburgh. In 2010, a fourth component was added to this model: culture. Contact:MotleyS@si.edu, NDiaye, Diana Baird, Cultural Specialist and Curator. Noting the Smithsonians mission as a national and international cultural institution to help protect heritage in times of war, Smithsonian Secretary Lonnie G. Bunch III declared: The Smithsonian stands with the people of Ukraine during their most urgent time of need. SCRI, coordinating with Aliph and working with Poshyvailo, arranged to send needed funds and supplies through its long-standing partner in the Netherlandsthe Cultural Emergency Response. Privacy Statement Search millions of objects in the collections including photographs, artworks, artifacts, scientific specimens, manuscripts, sound records, and transcripts. Putin, though, claims that Ukrainians lack the history, culture and identity worthy of a national state separate from Russia. The Smithsonian Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center . The Smithsonian Folklife Festival is a research-based presentation of living cultural heritage annually produced outdoors on the National Mall. works with UNESCO, ministries of culture around the world, as well as local, national, and international governments to recommend and develop policy concepts and language on cultural sustainability. B.A. Support the Folklife Festival, Smithsonian Folkways Recordings, Cultural Vitality Program, educational outreach, and more. Year after year, it continues to bring musicians, artists, performers, craftspeople, workers, cooks, and storytellers into this public forum to demonstrate the skills, knowledge, and aesthetics that embody the creative vitality of community-based traditions. Poshyvailo was intimately familiar with the Smithsonians work, having served as a Fulbright scholar in 2010 while the institution mobilized on-the-ground efforts to save cultural heritage in Haiti following a devastating earthquake. , Stony Brook ; Ph.D. ( 1981 ), Ph.D. ( 1990 Indiana... Thus unavailable 1990 ) Indiana University the lab has also used satellite monitoring to document looting plant specimensand?... Barnard College, Columbia University ; Ph.D. ( 1973 ) University of Edinburgh, vernacular landscape material culture urban... String Band performs Folklife and cultural heritage Smithsonian Institution P.O, proverbs smithsonian center for folklife and cultural heritage address computer applications folklore... 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